As faithful fan of French cinema melodramatic today I decided to talk a bit about its characteristics, taking into account Video J ean Pierre Jeunet Amelia .
"Amelia" is a fairy even a story about secret dreams of Amelia, who hopes to be someone special and helpful. A lonely childhood, a girl has a huge impact on shaping her character. Even as an adult Amelia lives in an imaginary dream world. Pokutnie assumes the role of helping "Mother Teresa" , knocking on their thoughts about loneliness, which suppressed-at times give of himself to know. Naive heroine meets human dreams, that men become happier. One day he runs into a shy man, Nina, and finally begins to strive to fulfill their dreams and discover the great love that will help her overcome the perennial sense of loneliness.
story ends with a happy ending, yet the story seems Sophistically, which often can not be said about films of the American production.
In the film "Amelie" noticeable characteristic of the majority of French films. These include, among other things-uniqueness, weirdness (in each of the films told is another story, the characters are creations so varied that there is no typical schematyczności). Everyday life is imparted "uncommon" , there are unusual events that often bring a magical mood (American cinema is based on the typicality, the viewer is treated as being virtually no thinking - duplicating in many films the same pattern.)
characterized French cinema masterfully chosen soundtrack. In Amelia soundtracks are Yann Tiersen, adding well-meaning film, sometimes romantic, and sometimes a pinch of intrigue.
In melodramatach great importance to intelligent dialogue and silence, to enable the recipient to their own reflections and thoughts. Sometimes there are also human character, which provide for moviegoers real room to maneuver when it comes to the issue "add all your own scenario" (and French cinema, this feature makes it very often go back to him.)
In Amelia enormous role play of colors and lights, weirdness symbolism of colors, forms and shapes. For example, we can give the same form of the title character, who as an adult is the embodiment of childhood innocence and naivety, which is marked not only by the excellent acting game Audrey Tautou, but also through the heroine's dress (dressed in red and wearing shoes too big - which may allow us to associate Amelia Red Riding Hood). Multilateral
tone gives your movies a fabulous, fabulous, and has a wonderful power of moving the viewer into the world "behind the screen" .
fact-very often while watching the products of French cinema, absorbed in the magical power of incredibly colorful reality, I feel that there is my real world, but reality is what is happening on the screen. Ability
"seeping behind the screen" allows you to internally survive for at the film's storyline takes a somewhat physical form, while maintaining its fantastic mystical.
summarize my reflections on the French melodramas I wish to emphasize that this is my subjective assessment. Perhaps more valuable to others is the American cinema, or simply French films do not inspire positive emotions in them ... But I
the voice of many film critics, I appreciate the spontaneity and warmth of non-obviousness, and the kind of surrealism, I appreciate and distinguish the French cinema, as my favorite.
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